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IFB Music Censorship

Updated: Sep 25, 2023


The Independent Fundamental Baptist (IFB) movement has long been criticized for its


suppression of artistic freedom, a calculated strategy aimed at maintaining control over its members. This is particularly evident in the realm of music, a universal form of expression that has been especially targeted by the IFB. Organizations like Faith Music Missions serve as gatekeepers, exerting significant influence over the musical choices within the IFB community. By producing and distributing music that aligns strictly with IFB doctrines, they create a controlled environment where only "approved" forms of musical expression are allowed. This monopolistic control stifles creative and emotional expression, limiting the diversity of musical experiences for IFB members.

The IFB's War on Rock Music

The IFB's aversion to rock music is a notable example of this control mechanism. According to an article by John Ellis, the IFB has historically labeled rock music as "the devil's music," associating it with vice, sin, and even Satanism. This has led to a culture of fear and compliance, especially among the youth, who are often the most receptive to new forms of music. The IFB authority figures have gone to great lengths to demonize rock music, even claiming that certain songs contain hidden Satanic messages when played backward. This has created a sense of hysteria around rock music, making it an attractive "forbidden fruit" for the youth.

The Biblical Perspective

While the Bible does mention the importance of making "melody in your heart to the Lord" (Ephesians 5:19), it does not specify a genre or style. The IFB's restrictive stance on music is not biblically mandated but is a man-made rule designed to control and manipulate. This is further exacerbated by the IFB's tendency to label other forms of music as "worldly" or "satanic," terms that are not only misleading but also serve to instill fear and compliance among its members.

The Importance of Arts Education

The absence of a well-rounded arts education in IFB-run schools further compounds this issue. Numerous studies, such as those published by the National Association for Music Education, have shown the cognitive and emotional benefits of music education. By depriving young people of these benefits, the IFB not only limits their educational experience but also their emotional and intellectual development. This is particularly concerning given that arts education has been shown to enhance cognitive abilities, emotional intelligence, and social skills.

The Dual Purpose of Artistic Suppression

The suppression of the arts serves a dual purpose. First, it helps maintain an ideological purity by eliminating any form of expression that could challenge or question the IFB's doctrines. Second, it serves as a tool for psychological control, limiting the emotional and intellectual growth of its members. This is not merely an issue of personal preference or doctrinal difference but a method of exerting control and stifling individual growth.

The Monopoly of Faith Music Missions

Moreover, the monopolistic practices of organizations like Faith Music Missions further exacerbate this issue, creating an environment where artistic expression is not just limited but actively suppressed. This is particularly concerning given that music has historically been a powerful tool for social change and spiritual upliftment. By controlling the narrative around what constitutes "acceptable" music, the IFB effectively silences voices that could challenge its authority or offer alternative perspectives.

Conclusion

In conclusion, the IFB's approach to the arts, and music in particular, is a calculated strategy aimed at maintaining control and limiting freedom of expression. It is not merely an issue of personal preference or doctrinal difference but a method of exerting control and stifling individual growth. The monopolistic practices of organizations like Faith Music Missions serve as a glaring example of how a single entity can wield disproportionate influence over a community's artistic and cultural landscape. This calls for continued scrutiny and advocacy to bring about change and liberate those ensnared by the IFB's restrictive grip.

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